For most of the past couple of weeks, I’ve been on vacation, hence the lack of blogging. For 8 of those days, I visited Seattle and Portland. That trip, and observations/thoughts stemming from it, will be the subject of a few upcoming blog posts.
Officially, I had three objectives when planning a summer vacation. First, it had to be relatively cheap. Second, it had to be somewhere I’d never visited before. Third, it had to involve watching major league baseball in person.
Seattle met all three criteria. The Portland side-trip came later once I realized it cost about $60 round-trip to travel on Amtrak between the two cities. Also, once I’d investigated Seattle, and narrowed down a date range, a fourth objective was added to the list: I had to get tickets to one of Pete Yorn’s concerts at The Showbox in Seattle. I ended up attending his show this past Wednesday.
For those of you who have never listened to Yorn, do yourself a favour and get your hands on his albums as soon as possible. I will even lend you my copies if you’re too broke or too cheap to spend $15-20/disc, or too lazy to torrent them. Yorn is one of my absolute favourite artists, and I had never seen him perform live before.
I discovered his music early in 2002, not long after his debut album ‘Musicforthemorningafter’ was released. I heard his first single, “Life on a Chain”, on a compilation/mix CD whose origins I have since forgotten. Hearing that inspired me to track down the full album. Upon acquiring it, it quickly became a favourite.
His follow-up album, ‘Day I Forgot’, is solid, with a few stellar tracks – “Crystal Village”, “Long Way Down”, and “All at Once”. He followed a couple of years later in 2006 with ‘Nightcrawler’. I was initially unimpressed, and didn’t listen to it much for the first couple of years after it was released. In general, I listened to Yorn less during this period than I had for the previous few years.
This spring, I got word that he was releasing a follow-up album, titled ‘Back & Fourth’, and listened to the first single, ‘Don’t Wanna Cry’, which was available online. I enjoyed it, and between it and conversing with fellow Yorn fan Andy Grabia, I started to listen to his music again more and more. I even gave ‘Nightcrawler’ another chance, and it grew on me. In particular, “Alive” and “Ice Age” are strong tracks.‘Back & Fourth’ was released in June, and really impressed me. Many of the songs have a rich sound, and it comes closest to recapturing the earnestness and energy that make ‘Musicforthemorningafter’ such a strong record.
Now, having missed him open for Crowded House in Edmonton a couple of years back, there was no way I was going to miss him if I had a chance while in Seattle.
The concert was held at the Showbox at the Market, a small Seattle club. Amazingly, Wednesday night’s all-ages show I attended wasn’t full, and there were signs that Thursday’s 21+ show was doing worse. Given that the Showbox is a small venue, and ticket prices were reasonable (I paid $22 plus service charges), there is no reason Pete shouldn’t have filled the place at least one of the nights. The crowd at the all-ages show was pretty mixed, especially age-wise. I was initially worried that the grown-ups would go to the Thursday show, and Wednesday night would be a crowd consisting of me and a bunch of 16 year old emo kids. That was far from the case; the bulk of the crowd looked to be in their mid-late 20s; there were even a couple of grey-haired guys standing near the stage. I ended up about 10 feet away, dead centre from the stage. Best spot I’ve had for a show in a long time, maybe ever.
JD King was the first opener. Along with his band, The Coachmen, he played a traditional rock style, with a heavy country influence. I’m fairly ambivalent about his music. I would describe it as “okay”. It doesn’t really inspire feelings, positive or negative, in me.
Next up was singer/songwriter Zee Avi. Avi, from Malaysia, plays guitar and ukelele, accompanied by a bass player, drummer, and keyboard player. Avi plays an upbeat, pop-folk style, not unlike artists such as Feist or Sarah Harmer. Her music is very catchy; I wouldn’t be shocked to see her pop up in an iPod commercial or Starbucks promotion sometime soon. If you like the aforementioned two artists, make sure you check out her music. She played for about 30 minutes, going through songs off her new album such as “Honeybee” (which she noted is her favourite song), and “Bitter Heart”, the first single from the album, before ending her set with a great ukelele-driven cover of “I Fought the Law”.
Pete Yorn Set
If you’ve read this far into the post, you won’t be surprised to read me say that I enjoyed it immensely. This was definitely one of my favourite concerts I’ve been to.
Some things I enjoyed:
– The aforementioned crowd interaction. I always like to learn more about the background of songs
– The ‘Bizarre Love Triangle’ cover. I like hearing things at a concert that I can’t on an album.
– The exhaustive merchandise stand. Lots to choose from in terms of T-shirt designs, and he had all his albums available on CD, and at least ‘Back and Fourth’ on vinyl. I picked up a t-shirt which you’ll probably see me wearing around sometime soon.
– He played songs from all of his albums. Some artists tend to predominantly play their most recent stuff, which I feel is an attempt to get you to buy their latest CD. The best strategy, in my opinion, is to play your best stuff. If people enjoy your set, they’ll buy your music and merch.
– Further to that point, here is the count of songs from each album he played: ‘Musicforthemorningafter’ – 7; ‘Day I Forgot’ – 2; ‘Nightcrawler’ – 2; ‘Back & Fourth’ – 5, plus the New Order cover.
This show lived up to my expectations, and then some. I’m looking forward to the next time I can catch Pete Yorn in concert. It was worth the trip.